Nekoliko klasika

1. One, Two, Three (1961)

Because, because, because, because…režije jednog zaista duhovitog tipa Bilija Vajldera (Some Like It Hot, Sunset Blvd, Irma La Douce, The Apartment), glume Džejmsa Kegnija, šarma Pamele Tifin, ismevanja kapitalizma, fašizma, amerikanizma i još mnogo toga

Any world that can produce the Taj Mahal, William Shakespeare, and Stripe toothpaste can't be all bad.

2. Suspicion (1941)

Manje poznatiji Hičkokov film i njegova prva saradnja sa Keri Grantom i Džoan Fontejn. Džoan je dobila Oskara za ulogu nesigurne devojke koja se udaje za šarmantnog lovca na miraz, ali ubrzo počinje da tripuje da će je on ubiti i uzeti sav njen novac. Film bi bio bolji da je to istina, ali i ovako je veoma napeto i sasvim zadovoljavajuće.

I think I'm falling in love with you, and I don't quite like it.

3. What Ever Happened To Baby Jane?

Prilično bizaran film o dve sestre, bivše filmske zvezde koje žive u velikoj holivudskoj vili, izolovane od sveta, usmerene jedna na drugu. Jednu igra Bet Dejvis, a drugu Džoan Kraford (mislim da je dovoljno, to je kao staviti dve afričke životinje u ring).

Blanche: You wouldn't be able to do these awful things to me if I weren't still in this chair. Jane: But you *are*, Blanche! You *are* in that chair!

4. The Trial (1962)

Franc Kafka &Orson Vels & Entoni Perkins. Orson je prilično dobro skontao beznadje svih nas Jozefa K. i Entoni Perkjins nije mogao biti bolji izbor za glavnu ulogu.  Orson je The Trial smatrao svojim najboljim filmom.

It's true, you know. Accused men are attractive. Not that being accused makes any immediate change in a man's personal appearance. But if you've got the right eye for these things, you can pick out an accused man in the largest crowd. It's just something about them, something attractive.

5. The Awful Truth (1937)

Prvi od tri filma u kojima je Keri Grant igrao sa svojom, pored Grejs Keli, omiljenom partnerkom Irenom Dun. Slatka screwball komedija o njujorškom bračnom paru koji je prosto neodoljiv. Smatra se da je to film u kome je Keri Grant izdefinisao svoju screen personu.

You've come back and caught me in the truth, and there's nothing less logical than the truth.

6. Wild River (1960)

Najpotcenjeniji film Elije Kazana, koji sa godinama postaje sve bolji. Elija Kazan smatrao je Wild River svojim najličnijim filmom. Poetičan i dirljiv, uglavnom zbog Kazanove režije, senzibiliteta mlade Li Remik i glume post accident Montgomeri Klifta (pored The Misfits, ovo je jedini film u kojem je čak i neprimetno da je imao nesreću i da mu zaista nije bilo lako da glumi).

I'm leaving here, with you or without you, but I want you to know something... I'd be a good wife for you. A DAMN good wife. I'm smarter than you in some ways and I know what's good about you and I know what's bad and I'm not afraid to tell you... I have two children who love you. They love you and I love you... and you're not easy to love, but you do need someone... and I love you. I love you, I love you.

7. Portrait Of Jennie (1948)

Omiljeni holivudski film Luisa Bunjuela sa predivnom Dženifer Džons i uvek odličnim Džozefom Kotenom. To je surreal ljubavna priča o mladom slikaru koji svoju inspiraciju nalazi u Dženi, misterioznoj devojci koja se pojavljuje sporadično u njegovom životu.

Jennie Appleton: How beautiful the world is Eben! The sun goes down in in the same lovely sky. Just as it did yesterday, and will tomorrow. Eben Adams: When is tomorrow, Jenny? Jennie Appleton: Does it matter? It's always. This was tomorrow once.

8.  Leave Her to Heaven (1945)

Jedan od omiljenih filmova Martina Skorsezea Leave Her to Heaven je pravi mali dragulj. Priča o opsesivnoj ljubavi i mladoj ženi koja je spremna na sve da bi zadržala her man. 

There's nothing wrong with Ellen. It's just that she loves too much

9.  You Can’t Take It With You (1938)

Feel good movie Frenka Kapre ( It’s a Wonderful Life, Arsenic and Old Lace) sa Džimi Stjuartom i Džin Artur o lepoti malih stvari i besmislenosti materijalističkog načina života.

Tony Kirby: ...It takes courage. You know everybody's afraid to live. Alice Sycamore: You ought to hear Grandpa on that subject. You know he says most people nowadays are run by fear. Fear of what they eat, fear of what they drink, fear of their jobs, their future, fear of their health. They're scared to save money, and they're scared to spend it. You know what his pet aversion is? The people who commercialize on fear, you know they scare you to death so they can sell you something you don't need.

10.  The Children’s Hour (1961)

Zaista interesantan film jednog od mojih omiljenih reditelja Vilijama Vajlera (Wuthering Heights, Roman Holiday) o problematičnoj studentkinji u ženskom internatu koja optužuje dve učiteljice za lesbianism. Budući da su ovo šezdesete, ovo je zaista bila big fuss. Glavne ženske uloge igraju Odri Hepbern i Širli Meklejn.

Mrs. Lily Mortar: God will punish you. Martha: He's doing all right.

11. Twentieth Century (1934)

Screwball klasik Hauarda Hoksa (ha moj omiljeni Bringing up Baby) sa briljantnim Džonom Barimorom i awesome Kerol Lombard kao ekscentričnim glumačkim parom.

Oscar Jaffe: When I love a woman, I'm an Oriental. It never goes. It never dies. Lily Garland, aka Mildred Plotka: Phooey. Oscar Jaffe: Love blinded me. That was the trouble between us as producer and artist. Lily Garland, aka Mildred Plotka: So that's what it was, was it? How about your name in electric lights bigger than everybody's, and your delusion that you were a Shakespeare and a Napoleon and a Grand Lama of Tibet all rolled into one